Robert Louis Stevenson and Popular Culture |
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Linda Dryden |
11-24 |
Beyond the Abyss: Jack London and the Working Class |
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Ronald Paul |
25-40 |
Whose Rules Rule?: Grammar Controversies, Popular Culture and the Fear of English from Below |
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Joe Trotta |
41-65 |
Eating 'Local': The Politics of Post-Statehood Hawaiian Cookbooks |
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Amy Reddinger |
67-87 |
Feeding the World a Line?: Celebrity Activism and Ethical Consumer Practices From Live Aid to Product Red |
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H. Louise Davis |
89-118 |
Pretty in Pink: The Susan G. Komen Network and the Branding of the Breast Cancer Cause |
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Laurie Gilmore Selleck |
119-138 |
Patron Saint of Lost Causes, Live on the BBC: The Yes Men, Humour and the Possibility of Politics |
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Carolyn Veldstra |
139-153 |
Remaking Feminism: Or Why Is Postfeminism So Boring? |
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Imelda Whelehan |
155-172 |
More for the Fit: Gender and Class in the Representation of Designated Adoption in a Selection of U.S. Television Series |
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Chloé Avril |
173-195 |
“In movies, someone always has to play the bad guy”: Mediatized Subjectivities and Youth Media Production |
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Michelle Stack |
197-214 |
Zinn, Howard, Mike Konopacki, and Paul Buhle. 2008. A People's History of American Empire: A Graphic Adaptation. New York: Metropolitan Books |
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Ronald Paul |
215-216 |