| The Epilogue in Doctor Faustus: The Petrarchan Context |
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Roy Eriksen |
1-16 |
| To Go Down Singing: Stage Directions and Presence in Samuel Beckett's Happy Days |
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Sissel Lie |
17-35 |
| "No more‘n a needle in a haystack": The City as Style and Destructive Underworld in John Dos Passos' Manhattan Transfer |
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Michael Madsen |
36-46 |
| The Supernatural Arctic: An Exploration |
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Shane McCorristine |
47-70 |
| The Anonymous 'Eliza': A Puritan Virgin Poet Internalizes Seventeenth-Century English Absolutism |
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Kamille Stone Stanton |
71-85 |
| The Essential Displacement: Lordship and Sovereignty in Aphra Behn's Oroonoko, or The Royal Slave |
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Fereshteh Zangenehpour |
86-99 |
| Braziel, Jana Evans. 2009. Caribbean Genesis: Jamaica Kincaid and the Writing of New Worlds. Albany: SUNY Press |
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|
Anna Borgström |
100-102 |
