English Literature and a Single European Currency |
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|
Charles Lock |
5-28 |
The Wycliffite Bible and 'Central Midland Standard': Assessing the Manuscript Evidence |
PDF
|
Matti Peikola |
29-51 |
Towards a Unified Representation of English and Norwegian Auxiliaries |
PDF
|
Helene Hauge |
53-74 |
Reading The Merchant of Venice Dialogically |
PDF
|
Michael Skovmand |
75-96 |
William Blake, Thomas Thorild and Radical Swedenborgianism |
PDF
|
Robert William Rix |
97-128 |
To Australia and Back. The Metaphor of Return in Dickens' David Copperfield and Great Expectations and Thomas Hardy's Jude the Obscure |
PDF
|
Jane Mattisson |
129-143 |
Signifying Substance: A Cultural Analysis of Early Modernist Language Practice |
PDF
|
Lennart Nyberg |
145-164 |
The Text that Self-Destructs: Narrative Complexity in William Trevor's Fools of Fortune |
PDF
|
Ulf Dantanus |
165-192 |
A "Cry of the Dying Century": Kate Chopin, The Awakening, and the Women's Cause |
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|
Tuire Valkeakari |
193-216 |