| English Literature and a Single European Currency |
PDF
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|
Charles Lock |
5-28 |
| The Wycliffite Bible and 'Central Midland Standard': Assessing the Manuscript Evidence |
PDF
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|
Matti Peikola |
29-51 |
| Towards a Unified Representation of English and Norwegian Auxiliaries |
PDF
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|
Helene Hauge |
53-74 |
| Reading The Merchant of Venice Dialogically |
PDF
|
|
Michael Skovmand |
75-96 |
| William Blake, Thomas Thorild and Radical Swedenborgianism |
PDF
|
|
Robert William Rix |
97-128 |
| To Australia and Back. The Metaphor of Return in Dickens' David Copperfield and Great Expectations and Thomas Hardy's Jude the Obscure |
PDF
|
|
Jane Mattisson |
129-143 |
| Signifying Substance: A Cultural Analysis of Early Modernist Language Practice |
PDF
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|
Lennart Nyberg |
145-164 |
| The Text that Self-Destructs: Narrative Complexity in William Trevor's Fools of Fortune |
PDF
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|
Ulf Dantanus |
165-192 |
| A "Cry of the Dying Century": Kate Chopin, The Awakening, and the Women's Cause |
PDF
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|
Tuire Valkeakari |
193-216 |
