| Irony and gender politics in Elizabeth Barrett Browning’s Aurora Leigh |
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Lynda Chouiten |
1-17 |
| Space, time, and plane travel in Walter Kirn’s novel Up in the Air |
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|
Julie Hansen |
18-35 |
| “What are you?” Fear, desire, and disgust in the Southern Vampire Mysteries and True Blood |
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Maria Lindgren Leavenworth |
36-54 |
| Paper-thin walls: Law and the domestic in Marie Belloc Lowndes’ popular gothic |
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|
Ellen Turner |
55-77 |
| Genre theory: A horn of plenty for EFL learners |
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|
Andrzej Cirocki |
78-99 |
| Textual reduction in translated dialogue in film versus literary fiction |
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|
Signe Oksefjell Ebeling |
100-126 |
| On spelling behavio(u)r: A corpus-based study of advanced EFL learners’ preferred variety of English |
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|
Tove Larsson |
127-154 |
| Combining intuition with corpus linguistic analysis: A study of marked lexical chunks in four Chinese students’ undergraduate assignments |
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|
Maria Leedham |
155-187 |
| Pulmonic ingressive speech in the Shetland Isles: Some observations on a potential Nordic relic feature |
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|
Peter Sundkvist |
188-202 |
