Introduction: Culture and Class |
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Ronald Paul |
1-4 |
Race, Gender and Class in the Autobiography of Huey P. Newton |
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Chloé Avril |
5-35 |
Anyone Can Do That: The Commom Music of Poetry |
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Andy Croft |
36-49 |
Tomskaya Pisanitsa Park, Kemerovo |
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Andy Croft |
50-56 |
Colonial Pedigree: Class, Masculinity, and History in the Early Rhodesian Novel |
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Stephen Donovan |
57-79 |
A Worker’s Consciousness: The Psychology of Class in Peter Currell Brown’s Smallcreep’s Day |
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William Frederick II |
80-92 |
Semiotic Historicism, Class, and Sustainable Politics |
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Hans Löfgren |
93-107 |
How To Stop Paying Lip-service to Class—And Why It Won’t Happen |
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Julian Markels |
108-119 |
“A big change”: Intersectional Class and Gender in John Sommerfield’s May Day |
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Ronald Paul |
120-137 |
‘You’re fuckin’ amazing, by the way’: Marginalisation and Recovery in Roddy Doyle’s Paula Spencer |
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Åke Persson |
138-165 |
"I'm sick of my own country": Ethics and Aesthetics in James Joyce's "The Dead" |
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Barry Ryan |
166-188 |
Culture, Alienation and Social Classes |
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George Snedeker |
189-200 |