| Introduction: Female Masculinity or Textual Masculinity |
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Jakob Winnberg, Anna Fåhraeus, AnnKatrin Jonsson |
1-9 |
| Silencing the Male: Rochester’s Muteness |
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Monika Pietrzak-Franger |
11-32 |
| Disciplining Desire: the Fluid Textuality of Annie Proulx’s "Brokeback Mountain" |
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Mark John Isola |
33-47 |
| Fantasising Masculinity in Buffyverse Slash Fiction: Sexuality, Violence and the Vampire |
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Virginia Keft-Kennedy |
49-80 |
| Embattled Subjects: the Role of Textual Masculinity in Written on the Body |
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Anna Fåhraeus |
81-97 |
| Asbjørn Grønstad and Lene Johannessen, To Become the Self One Is: A Critical Companion to Drude Krog Janson’s A Saloonkeeper’s Daughter |
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Sue Barker |
99-101 |
| Gunilla Florby. 2004. Echoing Texts: George Chapman’s Conspiracy and Tragedy of Charles Duke of Byron |
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Patrick Cook J. Cook |
102-103 |
| Nina Nørgaard, Systemic Functional Linguistics and Literary Analysis |
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Jennifer Herriman |
104-106 |
| Charles Armstrong, Romantic Organicism: From Idealist Origins to Ambivalent Afterlife |
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L. Adam Mekler |
107-109 |
