Table of Contents
Articles
When the Golden Bough Breaks: Folk Drama and the Theatre Historian | |
Tom Pettitt | 1-40 |
The Taming of a Shrew: Composition as Induction to Authorship | |
Roy Eriksen | 41-63 |
"Underplayed Rivalry": Patronage and the Marlovian Subtext of Summer's Last Will and Testament | |
Per Sivefors | 65-87 |
Thomas Lodge and Elizabethan Republicanism | |
Andrew Hadfield | 89-105 |
George Chapman's "Oedipus Complex": Intertextual Patterns in The Conspiracy and The Tragedy of Charles Duke of Byron | |
Gunilla Florby | 107-19 |
Disgusting John Marston: Sensationalism and the Limits of a Post-Modern Marston | |
Georgia Brown | 121-42 |
Moors, Social Anxiety and Horror in Thomas Rawlins's The Rebellion | |
Anna Fåhraeus | 143-61 |
Reviews
REVIEW: Anna Swärdh (2003), Rape and Religion in English Renaissance Literature | |
Lisa Hopkins | 163-65 |
REVIEW: Claire Asquith (2004), Shadowplay. Richard Wilson (2004), Secret Shakespeare | |
Stuart John Sillars | 166-68 |