Table of Contents
Articles
| When the Golden Bough Breaks: Folk Drama and the Theatre Historian | |
| Tom Pettitt | 1-40 |
| The Taming of a Shrew: Composition as Induction to Authorship | |
| Roy Eriksen | 41-63 |
| "Underplayed Rivalry": Patronage and the Marlovian Subtext of Summer's Last Will and Testament | |
| Per Sivefors | 65-87 |
| Thomas Lodge and Elizabethan Republicanism | |
| Andrew Hadfield | 89-105 |
| George Chapman's "Oedipus Complex": Intertextual Patterns in The Conspiracy and The Tragedy of Charles Duke of Byron | |
| Gunilla Florby | 107-19 |
| Disgusting John Marston: Sensationalism and the Limits of a Post-Modern Marston | |
| Georgia Brown | 121-42 |
| Moors, Social Anxiety and Horror in Thomas Rawlins's The Rebellion | |
| Anna Fåhraeus | 143-61 |
Reviews
| REVIEW: Anna Swärdh (2003), Rape and Religion in English Renaissance Literature | |
| Lisa Hopkins | 163-65 |
| REVIEW: Claire Asquith (2004), Shadowplay. Richard Wilson (2004), Secret Shakespeare | |
| Stuart John Sillars | 166-68 |